This was the Gramophone Company's third G&S recording in as many years (see the 1906 Mikado and 1907 Yeomen). Earlier in 1908, as the Gramophone & Typewriter Company (they removed the "Typewriter" from both their corporate name and instrument catalogues in mid-1908), they had issued a set of Pinafore excerpts, although this set was not nearly as comprehensive as any of the other three.

This was the Gramophone Company's first attempt to record a nearly-complete opera with a consistent cast. Although Amy Augarde's doubling of Buttercup and Hebe may seem anything but "consistent," it was relatively benign when measured against the confusion that reigned on the two earlier sets. Augarde, by the way, understudied the role of Hebe in the 1888 revival at the Savoy. She is thus in the select company of performers who learned a role under Gilbert's direction and later recorded it.

The recording is musically complete, aside from the overture, the entr'acte, and some of the recitatives. The finale concludes with Arne's "Rule, Britannia," which apparently was the standard ending in D'Oyly Carte productions of the time. As was conventional in these early recordings, the roles were taken by stock gramophone artists, not D'Oyly Carte principals. As a result, aside from Amy Augarde's participation, this recording is of relatively little interest, except to collectors of very old records. It has not been re-issued on LP or CD.

The recording was issued in December, 1908, on fourteen 10-inch and four 12-inch single-sided discs, and later re-issued on double-sided discs. As shown below, there was no attempt to ensure that the double-sided discs were presented in a coherent order, since the selections were probably purchased individually far more often than they were purchased as a set.